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The detritus of hyper-consumerism, convenience and environmental neglect is made animate in Porky Hefer’s speculative epoch, Plastocene. Here, byproducts of industry fuse with organic DNA to generate a new type of life.
Plastocene – Marine Mutants From a Disposable World is Porky Hefer’s major new work consisting of a series of large-scale handmade environments based upon imaginary sea creatures from a dystopian future he calls the “Plastocene”.
The collection makes its world premiere at the NGV Triennial at NGV International (National Gallery of Victoria) in Melbourne, Australia. The collection comprises five seating environments: Buttpuss, a 14m wide x 3.6m high octopus constructed from giant hand-felted cigarette butts; Q-Tip, evolved from a cotton bud and drawing its reference from a hammerhead shark; Suckerfish, studded with 120 giant crocheted straws; Flat White, based on a disposable coffee cup; and Sabre Toothed Netfeesh, woven from off-cut marine rope.
Hefer’s design process is rooted in collaboration, drawing on the skills and knowledge of the artisan groups around him. For this collection he conducted the hands of more than 80 crafters across six studios: Ronel Jordaan Textiles, Streetwires, Mielie, Wolf & Maiden Creative Studio, M Clothing and Leon at CXIXX, with African Karakul wool sponsored by Jonay Wool Carding. The entire project was co-produced by Southern Guild and will form part of NGV’s permanent collection.
Marking the end of the Anthropocene, our current fossil-fueled epoch, Hefer’s creatures remind us of plastic bags, straws, coffee cups, trash, and the discarded detritus of hyper-consumerism, convenience and environmental neglect. He speculates that in a distant future, some species might transmutate, adapting to the endless abundance of plastics and pollutants that we have flooded into nature. In a twist of evolutionary fate, Hefer imagines what would happen if refined hydrocarbon distillates from fossil fuels fused with organic DNA to generate a new type of life – transitional forms that exemplify the mutant fruits of our fossil-fuel era. The toxic future painted here is one that humans would struggle to inhabit. But at best, Hefer hopes that life continues in this new form, following the mass extinction that he sees us so selfishly perpetuating.
Plastocene is one of 30 major new world-premiere works commissioned by the NGV for the NGV Triennial. Featuring 87 projects by more than 100 artists, designers and collectives from 33 countries. Comprising an ambitious and diverse selection of works showcasing the vanguard of contemporary practice, the exhibition offers a visually arresting and thought-provoking view of the world at this unique moment.