Curated by Jonathan Anderson, the collection of 25 teapots has been crafted by international artists, designers and architects. It not only reflects a continued investment in craft and dedication to working with artists, but also pays tribute to the everyday object, reimagining the vessel’s sculptural form. It’s hard to imagine a more universal object than the teapot - holding a unique place at the intersection of culture, history and ritual. Familiar across the world (tea is the most consumed drink after water) the humble pot can be both mundane yet magnificent, with a sprawling global history stretching across centuries and continents.

Titled Umpondo zihlanjiwe (meaning washed horns or clean horns) and Imbokotho, taken from the South African proverb “Wathint’ Abafazi, Wathint’ Imbokotho” (“You strike a woman, you strike a rock”) originating during the Women’s Anti-Pass March of 1956, an anti-Apartheid protest, Fani’s two pots are a meaningful tribute to women in Fani’s homeland. They are also a contemporary evolution of traditional Nguni ceramics, informed by a lineage of clay masters who have influenced his work.