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          Dokter and Misses - Practically Everywhere
          Dokter and Misses - Practically Everywhere
          Dokter and Misses - Practically Everywhere
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          Practically Everywhere

          Dokter and Misses

          Cape Town
          14 February - 22 May 2019

          Practically Everywhere is inspired by the creative disorder and decay of urban ecosystems, in particular the inner city of Johannesburg. The series of sculptural cabinets in timber, steel and glass experiments with jagged shapes, odd proportions and stacked forms overlaid with textural surface treatments.

          Dokter and Misses - Practically Everywhere
          Dokter and Misses - Practically Everywhere
          Prev

          Dokter and Misses‘ first solo show with Southern Guild launches a new series of collectible furniture inspired by the creative disorder and decay of urban ecosystems. Largely consisting of sculptural cabinets in timber, steel and glass, this new body of work experiments with jagged shapes, odd proportions and stacked forms overlaid with textural surface treatments.

          “Smooth surfaces are interrupted by jagged lines and unconscious gestural marks,” say designers Adriaan Hugo and Katy Taplin. “Function is encapsulated and overgrown by clumps of irregular forms. Traditional furniture structural configurations are turned inside out and decorated with dysfunctional clutter. Negative spaces become a nest for 3D visual noise.”

          Inspired by Tramp Art and the notion of needing to be busy, Practically Everywhere aims to communicate the feeling of being in an environment rather than the actual environment itself. In keeping with the duo’s strong graphic signature, the new collection overwhelms the observer while exploring themes of over-saturation, disruption and unconscious actions and reactions.

          Ever responsive to their local surroundings and Joburg’s inner city, the designers conceived of this collection as an abstract study of their immediate environment, which has adapted to and been overtaken by natural forces. The work’s radical aesthetic conveys this sense of entropy and evolution.