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Southern Guild returns to The Aspen Art Fair for the first time as a New York-based gallery.
Following the opening of its permanent New York gallery in Tribeca this April, Southern Guild returns to The Aspen Art Fair with a major multidisciplinary presentation that reflects the gallery's expanding presence in the U.S. market. Held at the historic Hotel Jerome, the fair enters a new chapter under the direction of Kelly Cornell, further cementing Aspen's position as a significant destination on the international summer art calendar.
This year's presentation features internationally acclaimed multidisciplinary artist Tschabalala Self, who will be showing with Southern Guild for the first time, alongside works by Chloe Chiasson, Jozua Gerrard, Lebohang Kganye, Justine Mahoney, Napoles Marty, Roméo Mivekannin, Nandipha Mntambo, Zanele Muholi, Usha Seejarim, Chidy Wayne and Dominique Zinkpè.
Across Booth B11, painting, photography, and sculpture explore questions of identity, memory, material transformation, and cultural inheritance. Highlights include new paintings by Tschabalala Self, whose distinctive approach to contemporary figuration draws together sewn, printed, and painted materials in richly layered compositions. The presentation also features new works by Johannesburg-based artist Nandipha Mntambo and Ivorian multidisciplinary artist Roméo Mivekannin, ahead of his first solo exhibition with Southern Guild New York opening in September. Cuban-born artist and 2026 Frieze Los Angeles Impact Prize recipient Napoles Marty returns with his signature carved sculptures following his debut with the gallery at Frieze New York.
Beyond the Booth: Aspen Art Week Program Featuring Zanele Muholi
Southern Guild's presence extends beyond the booth and into Aspen Art Week through a presentation of Faces and Phases by visual activist Zanele Muholi at the Red Brick Center for the Arts (28 July–1 August), in collaboration with Buckhorn Public Arts. Following Muholi being named as the Hasselblad Award Laureate for 2026, the installation brings together over 50 portraits from the landmark photographic series and marks the latest chapter in one of the most significant ongoing visual archives of Black Queer lives globally.
Initiated in South Africa in 2006, Faces and Phases honors and documents Black LGBTQIA+ communities through portraiture and personal testimony. Built through long-term relationships with participants, the evolving project affirms dignity, self-representation, and collective memory while preserving lives and histories too often omitted from dominant visual culture. Now marking its twentieth anniversary, the series has expanded from its South African origins to include portraits made in cities including London, Porto, Panama City, Los Angeles, Salvador, and São Paulo.
The Aspen presentation coincides with Kanye Nawe,, the artist's major solo exhibition opening at Southern Guild Cape Town on July 18. Marking two decades of Faces and Phases, the exhibition brings together photography, sculpture, and moving image in one of Muholi's most comprehensive presentations with the gallery to date.
On August 1, Southern Guild Founder Trevyn McGowan will join Tim Sack, Founder and Executive Director of Buckhorn Public Arts, and Sarah Roy, Executive Director of Red Brick Center for the Arts, for a guided installation tour and discussion exploring portraiture as a powerful tool for visibility, remembrance, and cultural documentation.
Saturday, August 1, 2026 | 9:00—10:00 AM
Faces and Phases: Installation Tour & Discussion
Buckhorn Public Arts at Red Brick Center for the Arts
110 E. Hallam St., Suite 118, Aspen, CO
Please email [email protected] with any press queries.
Lebohang Kganye
Napoles Marty
Tshabalala Self
Tchabalala Self
Dry Land, 2026Acrylic, oil paint, oil pastel, pencil, fabric, thread, painted canvas on canvas
96 x 48 in. | 243.8 x 121.9 cm
Lebohang Kganye
Ox wagons to deliver supplies, 2022 - Lebohang KganyeInkjet print on cotton rag paper
28 x 38.3 in. | 71.2 x 97.2 cm
Edition 3 of 5, 2AP
Lebohang Kganye
Running from neighbours dogs, 2022Inkjet print on cotton rag paper
28 x 38.3 in. | 71.2 x 97.2 cm
Edition 3 of 5, 2AP
Lebohang Kganye
Shortening lighthouse, 2022Inkjet print on cotton rag paper
28 x 38.3 in. | 71.2 x 97.2 cm
Edition 3 of 5, 2AP
Lebohang Kganye
Woman in the middle of night, 2022Inkjet print on cotton rag paper
28 x 38.3 in. | 71.2 x 97.2 cm
Edition 3 of 5, 2AP
Roméo Mivekannin
Saint Elizabeth of Portugal (1630–1635), after Francisco de Zurbarán, 2026 - Roméo MivekanninAcrylic, elixir bath on velvet
98.4 x 59 in. | 240 x 150 cm
Roméo Mivekannin
Saint Ursula (1635 - 1640), after Francisco de Zurbarán, 2026Acrylic, elixir bath on canvas
90.6 x 61 in. | 230 x 155 cm
Nandipha Mntambo
Alignment II, 2026Monotype print, gold leaf on paper
47.8 x 36.2 x 3.3 in. | 121.5 x 92 x 8.5 cm
Nandipha Mntambo
Alignment III, 2026Monotype print, gold leaf on paper
47.8 x 36.2 x 3.3 in. | 121.5 x 92 x 8.5 cm
Cheick Diallo
Fauteuil Nafi, 2005Steel, nylon cords
29.9 x 31.8 x 26.4 in. | 76 x 80.5 x 67 cm
Variable edition
Chloe Chiasson
Fixer Upper, 2026Oil, cotton, paper on shaped aluminum
59 x 46.8 x 5.5 in. | 149.9 x 118.8 x 14 cm
Charles Haupt
Tropism Mensa Humilis, 2018Bronze
17.8 x 26.8 x 26.8 in. | 45 x 68 x 68 cm
Edition of 8
Justine Mahoney
Mysterium Coniunctionis (Toward Psychic Union or Integration), 2026Oil on Belgian linen
78.7 x 67.1 in. | 200 x 170.5 cm
Chidy Wayne
Pugnatores 002, 2026Oil, charcoal, sand, plaster on canvas
78.7 x 49.2 in. | 200 x 125 cm
Zanele Muholi
Kodwa II, Amsterdam, 2017UV-cured ink, aluminium
88.6 x 59.1 x 1.2 in. | 225 x 150 x 3 cm
Edition 1 of 2, 1AP
Usha Seejarim
A Persistent Wound, 2025Wooden clothes pegs, broom heads
57.9 x 34.6 x 3.9 in. | 147 x 88 x 10 cm




















